Songs True (EP)

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the opening track , lead single losing r&b song pop , electronic music, described having pleasantly upbeat sound lyrically speaks love has become complicated. philip sherburne of spin magazine called losing remarkable song in own right, breezy fusion of singer-centric r&b, 1980s pop, , lanky, mid-tempo hip house beats. felt song breakaway r&b-gone-electronic dance music tracks , commented remarkable suggests direction of pop music right now; feels 1 of moments when lurking below surface of zeitgeist breaks through in big way.


the second track things never seem fucking work lyrically ultimatums , questions, solange ponders illusion of relationship . locked in closets described having beat reminiscent of michael jackson in smooth criminal prime , , continues theme of addictive love . fourth song lovers in parking lot soulful pop song futuristic , tropical sounds , production, containing slow tempo piano riff in knowles regretfully admits played around s heart . don t let me down described playful, aggressive beat , described setting foundation hip-hop track . speaking don t let me down , knowles said;



trouble pbr&b song has been compared work of weeknd containing minimalist , sleek production, heavy synths , echos. song begins heavy on bass, reverb, , sultry harmonies, methodical approach ends rather abruptly.


the ep s final track bad girls (verdine version) contains falsetto , described unapologetic tune . previous song, bad girls (verdine version) pbr&b song, song has funkier bass line , synths, song again adopting confessional tone both disconnected , restricted.








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